■mcx Technology
●Explanation of each chord
・Major(M/maj/△)
[Component tone]
| Roots | The third tones | The fifth tones |
|---|---|---|
| Roots Notes | Major thirds from root notes | Perfect fifths from root notes |
[Character]
Basis of major key chord. It is made of the overlapping of a major third and a minor third. It is called major triad.
・Minor(m/_)
[Component tone]
| Roots | The third tones | The fifth tones |
|---|---|---|
| Roots Notes | Minor thirds from root notes | Perfect fifths from root notes |
[Character]
Basis of minor key chord. It is made of the overlapping of a minor third and a major third and is called minor triad.
・Augment(aug/+/+5/(#5))
[Component tone]
| Roots | The third tones | The fifth tones |
|---|---|---|
| Roots Notes | Minor thirds from root notes | Augmented fifths from root notes |
[Character]
Augment means to increase, and is a chord made by sharpening a major dominant. It is made of the overlapping of two major thirds and is called an augmented triad.
・Diminish(dim/o/m-5)
[Component tone]
| Roots | The third tones | The fifth tones |
|---|---|---|
| Roots Notes | Minor thirds from root notes | Diminished fifths from root notes |
[Character]
Diminish means to decrease, and is a chord made by flatting a minor dominant. Two minor thirds are overlapped. It is called diminished triad.
・Sus four(sus4)
[Component tones]
| Roots | The third tones | The fifth tones |
|---|---|---|
| Roots Notes | Perfect fourth from root notes | Perfect fifths from root notes |
[Character]
Suspended means to be pulled up, and is a chord made by sharpening a major tierce. A perfect fourth and a major second are overlapped.
・Seventh(7)
[Component tones]
| Roots | The third tones | The fifth tones | The seventh tones |
|---|---|---|---|
| Roots Notes | Major thirds from root notes | Perfect fifths from root notes | Minor sevenths from root notes |
[Characters]
A chord that added a leading tone that is a minor third higher, to a major. A major third, a minor third, and another minor third are overlapped.
・Major Seventh(M7/maj7/△7)
[Component tones]
| Roots | The third tones | The fifth tones | The seventh tones |
|---|---|---|---|
| Roots Notes | Major thirds from root notes | Perfect fifths from root notes | Major sevenths from root notes |
[Character]
A chord that add a leading tone that is a major third higher to a major. A major third, a minor third and another major third are overlapped.
・Minor seventh(m7/_7)
[Component tones]
| Roots | The third tones | The fifth tones | The seventh tones |
|---|---|---|---|
| Roots Notes | Minor thirds from root tones | Perfect fifths from root tones | Minor sevenths from root notes |
[Character]
A chord that add a leading seventh tone that is a minor third higher to a minor. A minor third, a major third and another minor third are overlapped.
・Minor major seventh(mM7/m maj7/m△7)
[Component tones]
| Roots | The third tones | The fifth tones | The seventh tones |
|---|---|---|---|
| Roots Notes | Minor thirds from root tones | Perfect fifths from root tones | Major sevenths from root tones |
[Character]
A chord that add a leading seventh tone that is a major third higher to a minor. A minor third, a major third, and another major third are overlapped.
・Minor seventh minus five(m7-5/m7(♭5)/ø)
[Component tones]
| Roots | The third tones | The fifth tones | The seventh tones |
|---|---|---|---|
| Roots Notes | Minor thirds from root tones | Diminished fifths from root tones | Diminished sevenths from root tones |
[Character]
A chord that add a leading tone that is a major third higher to a diminished. It is made by diminishing a semitone for the dominant of a minor seventh, making it♭. A minor third, another minor third and a major third are overlapped.
・Diminish seventh(dim7/o7)
[Component tones]
| Roots | The third tones | The fifth tones | The seventh tones |
|---|---|---|---|
| Roots Notes | Minor thirds from root tones | Diminished fifths from root tones | Diminished sevenths from root tones |
[Character]
A chord that add a leading tone that is minor third higher to a diminished. Three minor thirds are overlapped from a root note.
・Seventh sus four(7sus4)
[Component tones]
| Roots | The third tones | The fifth tones | The seventh tones |
|---|---|---|---|
| Root tones | Perfect fourth from root tones | Perfect fifths from root tones | Minor sevenths from root tones |
[Character]
A chord that add a leading tone that is minor third higher, to sus4. A perfect fourth, a major second and a minor third are overlapped.
・Sixth(6)
[Component tones]
| Roots | The third tones | The fifth tones | The seventh tones |
|---|---|---|---|
| Root tones | Major thirds from root tones | Perfect fifths from root tones | Major sixths from root tones |
[Character]
A chord that add a leading seventh tone that is a major second higher to a major. A major third, a minor second and another major second are overlapped.
・Minor sixth(m6/_6)
[Component tones]
| Roots | The third tones | The fifth tones | The seventh tones |
|---|---|---|---|
| Root tones | Minor thirds from root tones | Perfect fifths from root tones | Major sixths from root tones |
[Character]
A chord that add a leading seventh tone that is a major second higher to a minor. A minor third, a major third and another major second are overlapped.
・add ninth(add9)
[Component tones]
| Roots | The third tones | The fifth tones | The seventh tones |
|---|---|---|---|
| Root tones | Major thirds from root tones | Perfect fifths from root tones | Major ninths from root tones (1 octave + minor second) |
[Character]
A chord that add a leading seventh tone that is a perfect fifth higher to a major. A major third, a minor third and another perfect fifth are overlapped.
・Minor add ninth(m add9/_add9)
[Component tones]
| Roots | The third tones | The fifth tones | The seventh tones |
|---|---|---|---|
| Root tones | Minor thirds from root tones | Perfect fifths from root tones | Major ninths from root tones (1 octave + major second) |
[Character]
A chord that add a leading seventh tone that is a perfect fifth higher to a minor. A minor third, a major third and another perfect fifth are overlapped.
●Explanation of each interval
- Minor third
Interval with the arrangement of one whole tone and one semitone

- Major third
Interval with the arrangement of two whole tones

- Perfect fourth
Interval with the arrangement of two whole tones and one semitone

- Perfect fifth
Interval with the arrangement of three whole tones and one semitone

- Diminished fifth
Interval with the arrangement of two whole tones and two semitones
It narrows the range of a semitone from perfect fifth.

- Augmented fifth
Interval with the arrangement of three whole tones and two semitones
It is extended the range of a semitone from perfect fifth.


- Major sixth
Interval with the arrangement of four whole tones and one semitone


- Minor seventh
Interval with the arrangement of four whole tones and two semitones


- Major seventh
Interval with the arrangement of five whole tones and one semitone


